Christmas Production: Setting the Stage for Christmas
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Christmas is a main event for most churches. Crowds swell, services double, and it’s all-hands-on-deck for the weeks that are leading up to December 25.
For stage designers, it’s natural at this point to want to think “out of the box,” but often that initial goal is to be “tasteful and traditional.”
Over the years, I’ve tried many different approaches and used a variety of elements -some which were better received than others — and now when I sit down to plan for Christmas, I do so with the following three questions in mind:
1. How BIG do I really need to go?
Christmas is the time when most people want to go all out. But that doesn’t mean it has to look like a Vegas show. The key to designing well, is knowing the vision of the leadership before you start planning.
Do they want to walk into a room that is beautiful and timeless? Would you rather do what has been done in the past, and how was it received? Are you working around other production pieces such as children’s performances, or having something that needs to be reproduced for smaller campuses? It is always wise to think about how such a designed set will function and interact with the rest of the Christmas service.
Make sure you have options, if there are any last-minute changes to the service (full choir, actors, special guests/performances).
If you are streaming, or running IMAG, it is significantly important to be thinking about camera shots and planning for which part of the design will be in the background. With today’s media, there are often more people who will see the stage via a screen, versus from a seat in the room.
Now, there are some churches who want to create the “wow” factor, and you will need to deliver on that; but going too big can also backfire (it can inhibit future set designs as well).
Among the things I have incorporated in a service in the past, is that I have made it snow outside during our candle-lit moment, while people were exiting the building. This was a beautiful addition to Christmas Eve services, but it only worked, because the worship room was flanked by floor-to-ceiling windows and the video team captured the softly falling snow. Also, for a Southern California church, this was definitely a “wow” feature, but it probably would not translate nearly as well for a church nestled in the Rockies.
Latest ResourceWorship Facilities Magazine, November-December 2017
The November-December 2017 issue of Worship Facilities Magazine offers a review of the 49 New Product Award entries this year, as well as those entries up for Solomon Awards in 2017.